
The rhino is renowned for his horn, and is often a target of poachers.
They haunt the jazz clubs, acting all normal, when in fact,
Their minds crawl with evil.
The rhino wears a pork pie hat and a thin black tie.
He plays "Poor Butterfly" and everybody cries.
He plays standards and experimental pieces;
The work of the masters and his own compositions.
His eyes are like cotton balls behind his dark glasses,
And he never met anything fried that he didn't like.
To save him from poachers, the city council has him placed behind a moat in the zoo, expecting that he will eat hay, swat flies with his absurd little tail,
And crap great mountains of rhino shit on the hard-packed bare dirt of his enclosure.
His friend the lesbian sneaks in at night and lies on her back on top of a big fake boulder, smoking a cigarette.
"You're an artist." She gestures with a sweep of her arm, as if she were Cleopatra idly sending a million sailors off to some stupid foreign war.
"What's all this supposed to be? Where is your horn?"
He has it,
But he cannot play it.
He is too sad even for "Lush Life" or "Am I Blue."
Days go by.
The month ends.
She smuggles him a file inside of a lopsided birthday cake.
It is a useless gesture, but a pretty one, and kind.
Finally, there is a full moon.
She describes it to him.
He takes up his horn and plays "That Old Black Magic."
If it were up to her, the poachers would be hung by their heels over a teeming colony of porcupines.
If it were up to her, the rhino could shed his skin as if he were just a ginormous old baked potato,
And his steaming white fluffy soul would fly straight up into Heaven.
If it were up to her, she would meet her Princess Charming tomorrow,
And the rhino,
In resplendent angel robes,
Would play at their wedding, held in some hip club in the quarter.
Instead, she beats out a rhythm on the outside bars with the useless file,
And pretends it is church bells;
Dreams it is Lady Justice, kicking off her shoes, picking up her skirts,
And setting the floor on fire
With moves like she
Never had before.
_________
They haunt the jazz clubs, acting all normal, when in fact,
Their minds crawl with evil.
The rhino wears a pork pie hat and a thin black tie.
He plays "Poor Butterfly" and everybody cries.
He plays standards and experimental pieces;
The work of the masters and his own compositions.
His eyes are like cotton balls behind his dark glasses,
And he never met anything fried that he didn't like.
To save him from poachers, the city council has him placed behind a moat in the zoo, expecting that he will eat hay, swat flies with his absurd little tail,
And crap great mountains of rhino shit on the hard-packed bare dirt of his enclosure.
His friend the lesbian sneaks in at night and lies on her back on top of a big fake boulder, smoking a cigarette.
"You're an artist." She gestures with a sweep of her arm, as if she were Cleopatra idly sending a million sailors off to some stupid foreign war.
"What's all this supposed to be? Where is your horn?"
He has it,
But he cannot play it.
He is too sad even for "Lush Life" or "Am I Blue."
Days go by.
The month ends.
She smuggles him a file inside of a lopsided birthday cake.
It is a useless gesture, but a pretty one, and kind.
Finally, there is a full moon.
She describes it to him.
He takes up his horn and plays "That Old Black Magic."
If it were up to her, the poachers would be hung by their heels over a teeming colony of porcupines.
If it were up to her, the rhino could shed his skin as if he were just a ginormous old baked potato,
And his steaming white fluffy soul would fly straight up into Heaven.
If it were up to her, she would meet her Princess Charming tomorrow,
And the rhino,
In resplendent angel robes,
Would play at their wedding, held in some hip club in the quarter.
Instead, she beats out a rhythm on the outside bars with the useless file,
And pretends it is church bells;
Dreams it is Lady Justice, kicking off her shoes, picking up her skirts,
And setting the floor on fire
With moves like she
Never had before.
_________
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